Trying Acrylics - 3 New Acrylic Paintings

Trying my hand at acrylics. Reason; well oil painting can be rather toxic from what I hear and read, and you know, I'm just getting along in years and not too anxious to gunk up my lungs and system. I also have read that Bob Ross designed his wet on wet paints and thinner not to be toxic, so maybe I'm safe to continue using those products. Adapting the wet on wet technique of oil painting to acrylic paints, which dry quickly and less the medium of the oil which permits the paint to blend and stick to paints already on the canvas. I'm at a disadvantage.

Three acrylics, and I really do not have the 'art' of photographing my paintings, so pardon my amateurish photography. Early efforts with acrylics;

Two new oil paintings - just finished and still Wet! Unoriginal title of 'Cabin by the Lake'

After a too long time away from my paints, brushes, and the messy operation that is oil painting, yesterday I completed two paintings! The paintings I've accomplished grow fewer and fewer over the years since 2006. Lots of reasons why, but I hope this change in momentum means 'I'm Back'!

I sought out the old painting clothes and found I've outgrown them (that means I weigh more now than I did when last I wore them). Time to set aside another set of painting attire, in larger size.

Painted this scene in 16 x 20 size. And then painted the scene again in 11 x 14 size, although it has variables from the larger size, making both 'originals'.
I took photo of the larger size and the paint is still Wet!

The house just doesn't have much accommodation room for paintings to dry. There is the cat who can jump up anywhere, so the paintings need to be in a room with a door that closes. And as I looked around the house, I see we don't have many 'roooms' that have doors that close. Then there is the odor of oil painting that can permeate the air. If I'm going to paint frequently, I need to figure out the logistics for these challenges.

So we put the Wet Painting on top of a wardrobe (a place the cat has not yet figured out how to climb) and I snapped a few photos ... not very good photos due to the angle of looking up at the painting, and the paint is still ..... well Wet!

Beginnings - budding artist

During a particularly difficult healing period of my adult life, in 1993-1994 I decided I would 'take an oil painting class' just because it was time to add a specific and singularly creative outlet to my life.  Well that precious little first painting came out quite nicely - mountains, trees, pathway - and had all the appearance of a first effort.  Proud and untroubled, I threw myself into learning and painting, happily finding the new world of painting that so gratifies painters and artists.  

The method I was being taught though was to use transfer patterns and then paint the transferred pattern, creating a finished painting.  Somehow, that felt like cheating to me, and I didn't know how to draw so I was rather constrained to using the patterns in art workshop books.  But that was okay, because my new efforts produced paintings that didn't much look like the ones in the workbooks.  There was all the usual newbie kinds of mistakes, but there was also something in the paintings that said more than new kid making mistakes.

                             'Gazebo' painting by Lietta Ruger 1994 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

'A Serene Place' painting by Lietta Ruger in 1994. (Reserved to be given to granddaughter at her request when she graduates)

About the same time, I bumped into Bob Ross on PBS showing us how to paint without a template pattern.  Now that is what I wanted to be able to do!   And like so many others who were influenced by Bob Ross, a student of Bill Alexander, I came to believe that maybe I could paint less the transfer pattern.  

Ah, but being such a novice to the world of oil painting, I did not even realize that he was using a specific technique - the wet on wet.  Not recognizing that important element, I set about painting dry on dry........but using the wet on wet method.  Needless to say I turned out some interesting early paintings.  I was continually frustrated that I couldn't get my paintings to look much at all like the Bob Ross paintings in his workbooks.   Duh.........   wet on wet means wet on wet, and my only exposure thus far had been dry painting using transfer patterns.

 

 

 

 

 

 

 

'Deep Mountain Path' painting by Lietta Ruger in 1996

After a few years, and I had more $$ to invest in purchasing Bob Ross materials, it gradually dawned on me that he was teaching a technique and I was trying to paint without using the fundamental wet base on which to then overpaint. Once I realized and had the products, then I began to see my finished paintings taking on some resemblance of the Bob Ross paintings in the workbooks.  Even so, I was an undisciplined student, and once involved in the painting, had little patience for exactly repeating the steps being shown by the instructor.  I have not yet turned out a finished painting that replicates the workbook paintings.   I guess that gives my paintings some originality and since I really don't know what I'm doing, I have permission to not know what I'm doing.  

Mistakes abound, but I am starting to 'get it' that I don't know what I need to know, and yet have some finished paintings that people compliment - I mean complement with meaning and not just 'polite' compliments.  I'm the one who doesn't take their complements seriously, and maybe it's time I started listening, eh?.  

 

 

 

 

 

'Lonely Tree'oil painting, wet on wet by Lietta Ruger, painted 1997 (I painted this three times on 12 x 16 size canvas, and on smaller 8 x 11 size canvas. the 12 x 16 and one of the 8 x 11 were given as gifts)